With no recent activity in its Pentax-branded mirrorless camera lines, Ricoh Imaging has spent the last few years overhauling the brand’s DSLR series. Following the upper-entry-level K-70 and the full-frame K-1, the company has now brought out a model that appears to sit somewhere between those two cameras.
Pentax KP Full Specification, Features, Performance And Review
More specifically, it appears on Ricoh Imaging’s website under the line ‘low light photography in a new dimension’. Accordingly, it boasts a surprisingly broad sensitivity range and a more advanced AF system than the K-70, with the further advantage of a second-generation Shake Reduction system that should also lend a hand in sub-par conditions.
- APS-C CMOS sensor, 24.32MP
- 3-inch tilt-angle screen, 921,000 dots
- 1080p video capture
In true Pentax style, the KP arrives with a wealth of clever and useful options, and borrows a handful of features from the impressive K-1.
The KP is designed around a new 24.32MP APS-C sensor, which operates over a staggeringly broad sensitivity range of ISO100-819,200. Surprisingly, this appears to be the span of its native ISO range, rather than a combination of native and extensions settings.
Ricoh Imaging claims this makes it suitable for low-light photography, although a high ISO range doesn’t necessarily mean high-quality images at these uppermost settings. Unlike the sensor inside the K-70, the one here doesn’t incorporate phase-detect AF pixels, which means the camera doesn’t offer the same Hybrid AF system when set to live view.
As has previously been the case on Pentax DSLRs, the sensor has no anti-aliasing filter, to enable the capture of finer details than may otherwise be possible, although an anti-aliasing filter simulator is on hand to help curb the effects of aliasing. The user has the choice of different types of correction here, although bracketing options are also on hand for when they may not be sure which is the most appropriate.
This sensor works with a PRIME IV engine, which allows for raw files to be captured in either DNG or PEF formats, alongside the standard JPEG. It also enables a range of lens-oriented corrections, such as lateral chromatic aberration and distortion – potentially very useful if you don’t fancy processing these out yourself.
In-camera raw processing is also provided post-capture, although one thing the processor doesn’t allow is 4K video recording. Instead, there’s Full HD video at a choice of frame rates, including 24p.
As we’d expect at this level, the KP has been fitted with a glass pentaprism viewfinder that provides approximately 100% coverage of the scene, and this has a 0.95x magnification. Underneath this there’s a 3.0-inch LCD screen with a 921k-dot resolution, and thanks to the hinge on which the screen is mounted you can pull it out from the body and adjust it upwards and downwards; it’s not touch-sensitive however.
Another feature inherited from the K-1 is the Smart Function Dial on the top plate. This provides immediate access to a handful of settings – not exactly the same ones that appear on the K-1’s dial, although three of these are user-customizable options.
Should the camera’s maximum shutter speed of 1/6000 sec not be high enough, you can also call on an electronic shutter that boosts this to 1/24,000 sec. Burst shooting, meanwhile, is quoted at a very respectable 7fps.
Wi-Fi is on board for the easy sharing of images and remote control via a smart device, although NFC is absent. The camera also has a small pop-up flash and a hotshoe for accepting larger units, and everything is recorded to SD, SDHC or SDXC memory cards, up to the UHS-I standard.
Build and handling
- Dust- and weather-resistant
- Alternative grips
- Weighs 703g
Without a lens, the Pentax KP measures a fairly compact 101 x 135 x 86mm. However, its weight of 703g with battery and card in place is heavier than we’d expect for such a small body. With most lenses the camera feels perfectly balanced, but larger, heavier optics can have the effect of not allowing the camera to sit flat on its base when placed on a table or other surface.
For portrait-orientation shooting, however, you can make things a little more comfortable for yourself by attaching the optional D-BG7 battery grip to the base.
And in a way it makes a lot of sense. Clearly you may prefer a different level of support when using a relatively small and light lens to when you’re pairing the camera up with a weightier telephoto one, and the camera comes supplied with three grips as standard. One has a relatively flat profile and another boasts a more substantial design, with the third offering something in between the two, and these are easily removed and replaced with the supplied hex key.
The most substantial of the three is still relatively small for such a body, but we actually found that it provided excellent handling. It’s perhaps not as secure in the hand as the deep grip on the K-70, but overall we found this paired the best with the lenses supplied for this test. It’s a bit small for something like the HD Pentax-D FA 24-70mm f/2.8ED SDM WR, but then that particular optic is not exactly designed for APS-C bodies.
The problem with the other two grips is that, although they theoretically work better with smaller and lighter lenses, the body is still relatively heavy for its size, and therefore benefits from better support than these provide.
In general, the Pentax KP is a very enjoyable camera to use. The design and location of the power switch makes it easy to flick it on and get shooting with one hand, and the rubberized front and rear dials both move with a pleasing fluidity. A further dial on the top plate is designed for use in conjunction with the Smart Function Dial, and this works well, although it’s a shame that some of these functions are pre-determined, as not everyone will need or want fast access to things like HDR shooting.
Although all the dials are designed well, on such a small body some of these controls feel a little cramped. The Smart Function and mode dials are positioned right next to the viewfinder housing, so you often end up bashing into this when operating either.
The rear command dial is also positioned much further into the body than on similar cameras, and left-eye shooters may find that the top of their nose is in the way when this is turned. Through the menus, however, you can customize how different exposure parameters are adjusted if you find this to be an issue.
- 27-point AF, 25 cross-type AF points
- Working range down to -3EV
- Solid AF performance
Ricoh Imaging has put its SAFOX 11 autofocusing module in the Pentax KP, which features 27 points in total. All but two of these, at either horizontal end of the array, are cross-type, and the system has an impressive working range down to -3EV, which theoretically means it should focus in low light with more ease than some other systems. There’s also a bright green AF assist lamp on the front plate to lend a hand when light levels dip.
Focusing with this lens is relatively silent too, which bodes well for use at weddings or in other environments where discretion is required. Focusing performance in low light isn’t bad, but the AF assist lamp doesn’t seem to come on as readily as those on other cameras, which would no doubt help.
The Pentax DA 35mm f/2.8 Macro lens is equipped with a more basic screw-drive motor, but focusing performance here is still very good, with the lens adjusting and confirming focus with surprising speed. For an older motor this is certainly impressive, and it’s no doubt thanks in part to its elements being as light and small as they are, although it is considerably noisier than the 24-70mm f/2.8 in operation.
When set to live view, however, focusing speeds are generally very good. The KP can’t quite match the systems of many current compact system cameras, such as the Olympus OM-D E-M1 Mark II and Panasonic Lumix G80, but it’s certainly fast enough to make live view usable when it’s required.
- 7fps burst shooting
- Screen resolution disappointing
- Logical menu design
There is a very brief delay upon starting up the Pentax KP, before the information appears inside the viewfinder and the focusing system becomes active, but this shouldn’t present any practical issues for anything but the most spontaneous occasions.
Navigating the menus is relatively straightforward, thanks to a logical structure and the welcome absence of any esoteric abbreviations, although the lack of color coding can make things a little harder to find than needs be. It’s nice to find that there’s almost no lag as you adjust shooting parameters and browse through menu screens, with the camera responding promptly to turns of the command dials.
In addition to its direct controls in and around the menu pad, there’s the option to bring up the electronic level over two axes via a button in the top-left-hand corner of the rear plate. Pressing the Info button, meanwhile, brings up 20 commonly used settings for quick adjustment (and 15 in the movie mode), and you can customize this display if you wish to add your most frequently used options.
The LCD screen moves freely when adjusted, and its ability to face upwards – just beyond a 90-degree angle – is very useful for low-level shooting, particularly as the hinge on which it’s mounted allows it to be pulled away so the viewfinder’s eyecup doesn’t obstruct it. Its 45-degree downwards angle makes it less flexible for high-level shooting, but a quick adjustment to the Outdoor View mode, and the option to bring up the electronic level, means it’s still very usable here.
In balanced light, such as indoors, the LCD screen’s viewing angle and contrast are very good. The Outdoor View mode is a very effective way to quickly boost the monitor’s brightness when shooting in harsh light, as it can be a little more difficult to see in these conditions. Admittedly, this is an issue that affects many screens, and the fact that you can adjust the screen to a range of angles makes it less of a concern here.
The display’s 3-inch dimensions and 921,000-dot resolution may seem a little behind the times next to other current models, and a comparison with another current DSLR does show it to lack the bite of a 1.62 million-dot screen. In isolation, however, it’s good enough for assessing focus and checking details in magnified images, although it’s a shame it’s not touch-sensitive.
The camera also doesn’t lock up like some others as these shots are being processed, so you’re able to access the menus and shoot further frames while this is going on. If you shoot JPEGs on their own you may be perfectly happy with this burst-shooting performance, although an eight-frame depth for raw images is somewhat on the low side.
The camera’s electronic shutter is really designed for live view shooting, where it’s capable of capturing the image with no sound (in comparison with the mechanical shutter). You don’t enjoy the same benefit when shooting through the viewfinder, as the mirror still needs to swing up when the exposure takes place, although you do still gain the same fast shutter speeds here. This is not only very useful for fast-moving subjects, but also if you happen to find yourself in bright sunlight with a wide-aperture lens.